Cyclone Tracy - 40 years on

I have been thoroughly enjoying reading the stories on Facebook from my friends who lived through the destructive forces of Cyclone Tracy, 40 years ago.  My contribution isn't as poignant or direct as some of theirs, but it has a (kind of) twist ending.

During that time, I was about 8 years old, and we lived in a small town called Taiping, in my birth country of Malaysia.  At that stage as a kid, I had never travelled outside of the country.

The day after Christmas in 1974, my family was over at a neighbours house having drinks to celebrate the festivities.  The grown ups however, were distracted and talking about this devastating storm called a 'cyclone' that had destroyed an entire town called Darwin in Northern Australia.  As an impressionable kid, I was quite shaken by the serious, grave tones of the adults, and I left the party early to run back home to our own house.

We had a huge map of the world taped to the wall outside the bedroom my sisters and I shared, and I went and found a map pin and scoured the whole map for this place called "Darwin".  When I found it, I stuck the pin into the map over it, and vowed that I would NEVER, EVER go to that place in the world as long as I lived.

Well, just 4 years later, we were packing all our worldly belongings (and getting rid of most of it) to emigrate to Australia...to... a place called Darwin.  A place which I have happily called my home for three quarters of my life.

The Old Airport

For years in my town, it was fashionable to hate the 'old airport'.  You know, that sweltering tin shed left over from World War II.  Apparently there were still bullet holes in the steel girders from the Japanese Zero's that strafed it.  The building served as our domestic and international terminal in our little outback town for many decades.

I remember back before they built the new 'modern' airport, you would *always* hear people moan and complain about the old one.  "Why don't they upgrade it?" they would ask.  "It's a travesty, and embarrassment to us, an eyesore".

So in the 90's, they did build a new terminal.  A big concrete soulless, unaesthetic monstrosity that looks as plain and ugly as most other airports in the world.

You see, I hate the *new* airport.  But I never really hated the old one.  Here is why.

Because on that one day in December 1978, when we migrated to Australia, I remember stepping out of that QANTAS 747 on top of the mobile staircase (no aerobridges on the old terminal), and feeling the humid heat wrap around me, I blinked and took a mental picture of this place.  The picture I took in my mind is actually quite similar to the photo above.  We must have parked in about the same spot.

I was only about 12 years old, but I remember walking across the shimmering heat haze of the tarmac, through a glass door to the immigration area.

There, we lined up behind one of the customs desk, and waited patiently while a *huge* man in a tight fitting blue uniform scanned our passports and paperwork and stamped them.  He was actually the first Australian person I had seen here since we arrived from Malaysia, and I was impressed and intimidated by his sheer size.

I remember his intent look as he processed our paperwork, and sweat rolling down his face as the overhead fans did little to alleviate the heat in that hot section of the tin shed.

Far from being scary, he actually turned out to be really kind as he looked at us, smiled and welcomed us to our new home.

After we passed through the immigration, my two sisters, my mother and I went to the public waiting area.  My dad had already arrived in Australia before us to set things up, and was going to pick us up soon.

My older sister and I were feeling rather parched in this heat, so we decided to buy a cold drink.  We carefully counted out the small amount of Australian money we had, and checked the price list above the only refreshment stall in the centre of the airport, and decided that we had enough money for two cups of orange juice.

As we approached the cheery young girl behind the counter, she smiled at us and said "Just a minute, I have to refill the OJ machine".  I watched her as she pulled the spouts out on several tetra pack juice cartons to fill the machine.

I was filled with wonder - I had NEVER before seen juice packs with the spouts that you could split and pull with one hand.  All the ones we had in our 'old' country had to be cut with scissors.  I thought this was the precursor to MANY wonders that we would get to see in this new land.

Then, my mother reminded us that we needed to get our luggage.  I looked around for the carousel, but could only see signs pointing to a fenced off area next to the car park.  We went there but it was empty.

Then I noticed that there was a tractor with several baggage trailers still near our plane, which was busy disgorging the contents of its hold onto the trailers.

Shortly after that, the tractor just drove into the fenced baggage area and the tractor driver parked and opened the fence gate so that we could all approach the trailers and pick our luggage off them.

Yes it was rustic, but it was also magical and quaint at the same time.  I had this combined feeling of dread and excitement at our new lives that were about to be rebooted here.

The old airport now stands silent, empty and abandoned, but it will always be a major milestone in my life, and for that reason, I could never bring myself to hate it.

Learning the Shakuhachi

Many years ago, I had read the graphic novel "Usagi Yojimbo" by Stan Sakai.  It is a story about an anthropomorphic rabbit called Miyamoto Usagi and his travels and adventures around ancient Japan.

In one of those adventures, Usagi comes across a Komuso monk ("monk of emptiness") who played the Shakuhachi flute.  From that moment on, I was fascinated with this instrument.  In the story, the monk explains to Usagi that the flute was a way of meditating, and trying to copy the music of nature.

I had been thinking of getting one of these, but when I researched online, I noticed that the best flutemakers around charged approximately $2000 up to $5000 for a hand made flute.  But a couple of weeks ago, I was doing another search and I came across Perry Yung's website, where he explains more about the flutes, and also where he sells a range of flutes from beginner 'Earth' models for around $150 right up to the high end ones, that take a year to make and are worth $2000+.

I decided to order an Earth model from Perry, and he was great during the initial contact and enquiry.  He even made a short demo video for me of the Earth model flute that he had.  I decided to go ahead, and Perry finished binding the flute for me, as well as applying a coat of traditional lacquer to protect it.

It arrived earlier this week, and I was as excited as a kid at Christmas.

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This is a 1.8 flute, and tuned to 'C'.  The flute plays the pentatonic scale, and by breath control, you can achieve two octaves.

One thing I've discovered, is that it is not easy to play the Shakuhachi.  There is a lot of work to do with positioning the flute, as well as my breathing, in order to get the proper sound.  After about 10 minutes of playing, I am quite light headed and giddy from the breathing, which I think is a GOOD thing, because I've noticed recently that my sedentary work style has lead to very shallow breathing and a general level of unfitness.

Perry included a great CD and booklet with the flute, which will hopefully help me along my journey.  This is an instrument best taught by a teacher, but alas there are none in Darwin, so I will have to soldier through with Youtube videos and the book/CD set.

 

Modifying My Strat

Now for something a little different - a photo essay about a recent electronics upgrade I did to my Fender USA Stratocaster this week,

Basically, I think someone slammed another guitar into my volume knob at a gig or something, and the knob got jammed tight.  I actually stripped the knurls on the inside of the volume knob trying to turn it, and the knob just fell off.

While looking for replacement pots online, I came across the Emerson 'drop in' kit for quickly converting your Strat to have a Blender pot instead of a second tone pot.  I thought "Why Not?" and spent the AUD$90 odd dollars to grab one off eBay.

My Strat is just a USA Standard one, with Lollar "Dirty Blonde" pickups that I installed a couple of years ago.  It is also wired in the "Eric Johnson" style, with no tone control on the middle pickup.

For those who don't know - the Blender pot essentially allows you to gradually 'blend' in either the neck or the bridge pickup in with the other pickups.  So, YES, you CAN have all three pickups at once if you like, or just the bridge AND neck if you wanted to.

Basically, the second tone pot is the 'blend' pot.  When you have the bridge or bridge+middle pickup selected, it controls how much of the neck pickup is added to the selection.  Conversely, when you have the neck or neck+middle pickup selected, it controls how much bridge pickup is added in.

Seeing as I am a software guy, not hardware, I thought I would get some hired help to install this kit.

Now it was time to look at the plans, and to think about how we would go about the whole installation process...

Once the pickguard was off, it was time to dismantle the components, such as the pots, input jack, and to desolder some of the old pickup wires before re-soldering the new ones on...


This kit lives up to it's namesake.  It is quite literally a 'drop in' replacement for the original pots.  We only needed to desolder the 3 pickup leads, the input jack leads, and the two ground wires attached to the pickup cavity and trem claw.

Once the new kit was in, it was a simple task to resolder those on again.  At times it was a bit stressful handling hot soldering irons around the guitar finish, but we managed to do it.

I DID manage to forget soldering on the ground lead to the trem claw, but that was easily resolved.

Then it was time to put everything back together again.  Remember the stripped Volume knob issue?  I got Spidey to wrap some plumbers tape around the Volume knob shaft so that the stripped knob could grab on tightly.

Job Is DONE !!!

Job Is DONE !!!

While the strings were off, I decided to give the frets a bit of a dressing and polishing...

I wrote a full review of the kit over at ToneCrowd.com.